Multichannel Video Installation, Walk-in Experience, Video Performance, Digital Sculpting, vinyl, glass, foam, 07”56’, color, sound, loop.
Comissioned by X Museum, MAM - Museum of Modern Art of São Paulo.
Supported by Arts Explora, Cité Internationale Des Arts.
Comissioned by X Museum, MAM - Museum of Modern Art of São Paulo.
Supported by Arts Explora, Cité Internationale Des Arts.
Termômetro: 38º Panorama da Arte Brasileira - Select
“while highlighting the dimension of the “foreign” gaze towards countries in the southern hemisphere, complexifies it by proposing the creation of new worlds in which colonial paradigms do not fade away, but are questioned at the very least.”
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“while highlighting the dimension of the “foreign” gaze towards countries in the southern hemisphere, complexifies it by proposing the creation of new worlds in which colonial paradigms do not fade away, but are questioned at the very least.”
(•••)
by Gabriel Massan
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Technical Direction and Animation in collaboration with Carlos Minozzi;
Environmental Art and Unreal Development in collaboration with Mati Bratkowski;
Unreal VFX by Liam Wolfe;
Original Soundtrack by Agazero and Pininga;
SFX by Agazero;
Studio Management by
Antoine Simeão Schalk.
The installation includes four video channels and sculptures and is bound by a constructed space analogous to a winter garden, forming its own space within the institutional realm.
Mateus Nunes on “Mil Graus” - Art Forum
“The heat of the streets is the context for Gabriel Massan’s Baile do Terror (Ball of Terror), 2022–24, an immersive installation of a digital universe that denounces Brazilian police violence at funk dances.”
(•••)
“The heat of the streets is the context for Gabriel Massan’s Baile do Terror (Ball of Terror), 2022–24, an immersive installation of a digital universe that denounces Brazilian police violence at funk dances.”
(•••)
Ball Of Terror: Video Series